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Converted Jan Schoonhoven drawings
2015
Open
SOLD: ZERO Property from the Sammlung Lenz Schönberg Catalog for the auction sale at Sotheby’s London 10 February 2010 #lenzschonberg #ottopiene #guntheruecker #janschoonhoven #yvesklein #luciofontana #enricocastellani #pieromanzoni #gotthardgraubner #yvesklein #sothebys #artbooksephemera
Open
SOLD: Sammlung DaimlerChrysler Minimalism and After New Acquisitions February-May 2002 Catalog for the group exhibition at DaimlerChrysler Contemporary Berlin Text by Dr. Renate Wiehager #robertryman #oliviermosset #janschoonhoven #eckhardschene #andrecadere #elainesturtevant #johnnixon #sammlungdaimlerchrysler #artbooksephemera
Open
nul = 0 Catalog for the group exhibition at Mayor Gallery London and Borzo Amsterdam May-July 2007 Text by Drs Marike van der Knaap, Henk Peeters #armando #janhenderikse #henkpeeters #janschoonhoven #nul #themayorgallery #borzo #artbooksephemera
Open
Wooden model of the Delft City Archive facade. The relief of the facade was inspired by an artwork of Jan Schoonhoven, a Delft artist who is widely known for his rhythmic paper reliefs with intricate plays of light and shadows. Photography by Dominique de Rond. ______________________ #gottliebpaludanarchitects #officewinhov #cityarchive #janschoonhoven #wienerberger #brickaward2020 https://winhov.nl/en/projects/city-archive-delft/
Open
Special late opening tonight as a part of Winter Gallery Hop! organised by mayfairartweekend and in collaboration with 50 galleries across Mayfair, Fitzrovia, Soho and St. James. All galleries open until 8pm, see you then! #wintergalleryhop Image: #JanSchoonhoven, ‘T 75-152’, Ink on paper, 65 x 50 cm
Open
Recently, I started working with a new paper, that of all its qualities affecting the way I think about and approach my work, is its appearance: cool white. Earlier in my IG timeline, I compared the white of Piet Mondrian’s Neo-Plasticism to that of the Internet: as a space where the micro and macro can exchange, refer to and switch places with one another. What I didn’t get at that time, was what is it about white that allows it to traverse multiple perceptions, and as a result, exist outside of convention? It’s undifferentiated! Or to put it differently, it has no distinguishing characteristics. White, is just there, and that’s it. You see it, but you’re not conscious of it, which in terms of art, for me, at this moment means, it is there precisely for its ability to seem absent. How has this absence affected the work I’m currently making? For starters, I’ve been building multiple artworks at once, something I’ve previously never done. I am also returning to a simpler design, since with the paper being “just there,” so too is the pattern. What is not “just there” is the color: the lines and bands that make up the painting, which is now essentially the structure, in true three-dimension. For those of you who know me well, this distinction to have painting be a structure, and not always by being an object, is a big deal. It is the reason why I started my art with paper: to show a 2-D material as a third. And hopefully, by working with different types, contribute to that other network, of arts and artists, forever exchanging ideas and traversing perception. #white #paitingasstructure #sculpture #art #paper #itiswhatitis #contrasteffect #Mondrian #NeoPlasticism #JanSchoonhoven #ZERO #zerofoundation
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