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Restored and adjusted Lichttempel by Otto Lindig, 1920/1921.
Image below from the Bauhaus Archiv in Berlin.
2015
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I happen to be in the middle of Bauhaus ceramics, the shortly active ceramic workshop was in a little town of Dornburg. So, many local museums have lovely, exceptional collections. Museum für Angewandte Kunst in Gera is filled with little clay and tubular steel miracles #bauhausceramics #ottolindig #margueritefriedlaender #theodorbogler #thiloschoder #marcelbreuer #vacation
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AVAILABLE Stunning ceramic vase of Post-Bauhaus ceramic artist Heiner-Hans Körting. Height 16,5 cm, Dornburger Werkstätten, Dornburg/Saale, East-Germany GDR / DDR 1950-60. Heiner-Hans Körting (München 1911 -1991 Dornburg) was part of a real dynasty of ceramicians. Educated in Hoehr-Grenzhausen. He was able to take over in 1949, after Second World War had ended, the famous Bauhaus Ceramic studio in Dornburg and moved to there. The studio had been founded by Walter Gropius in 1920 and has seen the elite of the Bauhaus ceramic artists yet. Körting was part of this movement. With his wife, he had worked before as sculptor and ceramician in Berlin. Körting (Cörting) signed as HHC. Both wifes, Lisa and Gerda, have been artists, as well his son Ulrich. #fatlavacollectables #fatlavacollection #fatlava #fatlavavases #fatlavaceramics #ceramano #ceramanopottery #midcenturymodern #midcenturydesign #roaringseventies #roaringsixties #spaceagedesign #bauhausdesign #spaceageaesthetic #midcenturyliving #midcenturymoderndesign #vintagestyle #cörting #ottolindig #postbauhaus #midcenturyfurniture #roemhild #roemhildkeramik #scheurichkeramik #eastgermanpottery #danishdesign #heinerhanskörting #bauhauskeramik #gerdaheuckeroth #westgermanpottery
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Bauhaus: Otto Lindig pot with blue green glaze and white interior c1930s Germany. 9.5cm high. For sale on our website £195 plus postage. Otto Lindig (1895-1966) started his training in the arts and crafts at the Kunstgewerbeschule in 1915. In 1919 he continued his studies at the College of Fine Arts in Weimar. This school was to become part of the Bauhaus in 1919. In that year he started teaching sculpture at the Bauhaus and also enrolled there to study ceramics under pottery master Gerhard Marcks at the Dornberg ceramics workshop. In 1924, after Marcks and others had disagreements with director Walter Gropius over the more industrial direction the School was taking Lindig, along with his brother-in-law Theo Bogler, was put in charge of running the experimental ceramics studio. In addition to continuing to produce studio ceramics they also started to produce designs that would be put into mass production. When the Bauhaus relocated to Dessau in 1925 the ceramics studio did not continue in the new location. Lindig now ran it, until 1930, as part of the Weimar College of Crafts and Architecture. After that date he ran the studio independenly until 1947. After that he moved to teaching at the College of Art in Hamburg until he retired in 1961. His work is very much in the Bauhaus tradition with which it is directly related, and has an important place in Twentieth Century ceramic design. His work is held in museums worldwide. midcentury_modern themodernvintagecollective #bauhaus #ottolindig #bauhauskeramik #bauhausceramics #ceramicscollector #modernistceramics #bluepottery #twentiethcenturydesign
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「きたれ、バウハウス　造形教育の基礎」展を見ました。 美術展に出かけるのは数ヶ月ぶりです。まだ油断できない状況ですので、静岡県立美術館の展示室でもお互いの距離を保つよう、意識させる取り組みがいくつか見受けられました。見ている側は、作品に集中しているとどうしても周囲の確認が疎かになってしまいますが、ときには順路から外れて見ることなどで、自ら密を避けることはできるのかなと思いました。 この展覧会はドイツ、ヴァイマールにバウハウス校が創設された1919年から100年となるのを記念して開催されています。バウハウスと聴くと、建築や工業製品の削ぎ落とした造形美の完成形の知識がほとんどでした。展覧会では、それら造形美となるまでの学校教育に重点を置いて構成されています。とくに入学から最初に受ける基礎教育においては、自身の身体の自然な動きを利用しようと語るヨハネス・イッテンのデッサンや、素材の持つ特性を感覚的に理解するモホイ・ナジの触覚板の授業が面白そうだと思いました。それまでの芸術美からいったん切り離して、自然な形状から美を見出すという考え方が、歴史的に第一次大戦後の時期に興ったことは興味深いと思います。 写真はバウハウスに関連ありませんが、美術館入り口にある好きな彫刻、トニー・スミスの「アマリリス」です。 久しぶりにアートの刺激を受けました。 #きたれバウハウス #バウハウス #静岡県立美術館 #ヴァシリーカンディンスキー #パウルクレー #マルセルブロイヤー #ミースファンデルローエ #ヨハネスイッテン #モホイナジ #マリアンネブラント #オットーリンディッヒ #山脇巌 #トニースミス #kommtansbauhaus #bauhaus #shizuokaprefecturalmuseumofart #wassilykandinsky #paulklee #marcelbreuer #miesvanderrohe #johannesitten #moholynagy #mariannebrandt #ottolindig #iwaoyamaguchi #tonysmith #sigma #sigmasd15 #foveon #シグマ
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Die Ausstellung 1000 GRAD ist noch bis einschließlich diesen Sonntag, 13. Juni zu sehen! Weitere Informationen gibt es auf unserer Website. ZEITGENÖSSISCHE KUNST ZU ALTEN UND NEUEN TECHNIKEN DES KERAMISCHEN Karl-Heinz Adler /Friedrich Kracht, Lee Babel, Yasmin Bassir, Mariana Castillo Deball, Tomás Espinosa, Young-Jae Lee, Johannes Makolies, Marco Miersch, Elisa Schumann, Su-Ran Sichling, Bikje van Soest, Alessio Tasca Die Ausstellung 1000° Zeitgenössische Kunst zu alten und neuen Techniken des Keramischen greift aktuelle Fragen an die Keramik in der zeitgenössischen Kunst auf und untersucht Bedeutungen und Botschaften dieses Materials, seiner Verarbeitung und seines kulturellen Stellenwertes für unsere Zeit. Öffnungszeiten: Di-Do 14-19 Uhr Fr-So 11-19 Uhr Freitag Eintritt frei! Foto: Alessio Tasca, Die Stehende / Kugel, 50x100x38, Durchmesser 90cm; Foto von David Brandt suransichling tomasitoes yasminbassir marianacastillodeball johannesmakolies marcomiersch elisaschuhmann Kuratiert von suransichling , Christiane Mennicke-Schwarz und vincentschier Entwickelt im Zusammenhang mit dem Kunstfonds / Staatliche Kunstsammlungen Dresden. #ausstellung #exhibition #keramic #ceramics #art #dresdenart #kunst #kunsthausdresden #leebabel #alessiotasca #birkjevansoest #karlheizadler #friedrichkracht #ottolindig #bauhaus
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‚Stillleben mit Bleistift und Reißnägel‘ #stilllife#naturemorte#stillleben#naturamorta#fleurs#flower🌸#vases#keramik#ceramicart#céramique#keramos#richardbampi#liebfriedebernstiel#ahrensburg#ottolindig#dornburg#keramikmuseumbürgel#🏺
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